Esto lo escuché el domingo en Islas de Robinson. Tiene un par de temas realmente bonitos. Esto está sacado de su blog: “Otro tesoro perdido rescatado por Rev-Ola, que sigue haciendo su trabajo de maravilla. Con este disco, Shaun Harris, miembro fundador de la West Coast Pop-Art Experimental Band, pudo al fin grabar su propias canciones a gusto, junto a su hermano Danny y el talentoso Michael Lloyd, y lejos del suplicio que para ellos suponía Bob Markley. Un disco maravilloso, repleto de ganchos melódicos de primer orden y con una producción excepcional. Bajo la dulce apariencia de las canciones late un inquietante aire de soledad y angustia que da al disco mayor empaque si cabe; algo así como un "Sunshine-Pop-Desolado"... legendario...” . Y esto dice Rev-Ola: Shaun Harris was bassist, singer and founding member of the groundbreaking hydra-headed beast that was The West Coast Pop-Art Experimental Band. While the WCPAEB have rightly become the stuff of legend, little attention has been paid to Shaun’s subsequent recordings in the early ‘70s. Until now. Together with former WCPAEB band mate and general all-round musical genius Michael Lloyd, Shaun cut an album’s worth of his own compositions for Capitol Records in 1973 featuring star turns from the likes of Beach Boy Bruce Johnston and the ubiquitous Jim Gordon and Larry Knetchel. The album also features Shaun’s brother and WCPAEB lynchpin Danny and was orchestrated by their father, the world-renowned composer Roy Harris.Shaun’s memorable, hook-laden songs (akin to the softer side of the WCPAEB oeuvre i.e. “Queen Nymphet”, Eighteen Is Over The Hill” and “Free As A Bird”) are set beautifully against a backdrop of Burritos-flavoured country rock and layers of warm Beach Boys vocal harmonies. Contains the classic single ‘I’ll Cry Out”, a high watermark in Harris’ esteemed back catalogue.
Esto lo escuché el domingo en Islas de Robinson. Tiene un par de temas realmente bonitos. Esto está sacado de su blog: “Otro tesoro perdido rescatado por Rev-Ola, que sigue haciendo su trabajo de maravilla. Con este disco, Shaun Harris, miembro fundador de la West Coast Pop-Art Experimental Band, pudo al fin grabar su propias canciones a gusto, junto a su hermano Danny y el talentoso Michael Lloyd, y lejos del suplicio que para ellos suponía Bob Markley. Un disco maravilloso, repleto de ganchos melódicos de primer orden y con una producción excepcional. Bajo la dulce apariencia de las canciones late un inquietante aire de soledad y angustia que da al disco mayor empaque si cabe; algo así como un "Sunshine-Pop-Desolado"... legendario...” . Y esto dice Rev-Ola: Shaun Harris was bassist, singer and founding member of the groundbreaking hydra-headed beast that was The West Coast Pop-Art Experimental Band. While the WCPAEB have rightly become the stuff of legend, little attention has been paid to Shaun’s subsequent recordings in the early ‘70s. Until now. Together with former WCPAEB band mate and general all-round musical genius Michael Lloyd, Shaun cut an album’s worth of his own compositions for Capitol Records in 1973 featuring star turns from the likes of Beach Boy Bruce Johnston and the ubiquitous Jim Gordon and Larry Knetchel. The album also features Shaun’s brother and WCPAEB lynchpin Danny and was orchestrated by their father, the world-renowned composer Roy Harris.Shaun’s memorable, hook-laden songs (akin to the softer side of the WCPAEB oeuvre i.e. “Queen Nymphet”, Eighteen Is Over The Hill” and “Free As A Bird”) are set beautifully against a backdrop of Burritos-flavoured country rock and layers of warm Beach Boys vocal harmonies. Contains the classic single ‘I’ll Cry Out”, a high watermark in Harris’ esteemed back catalogue.
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