27 años después de su publicación uno descubre a la post-punk princess... Gracias a los blogs, en concreto a éste: //www.londonlee.com/2007/01/pauline.html“Playing Phil Spector to her Ronnie, Martin Hannett gave Pauline Murray an ornate and expansive wall of sound with a freedom to breathe she never had with Penetration. It's a shimmering dream of record, like someone throwing a disco in a cathedral.”Verdaderamente brillante “Dream Sequence”. El single pop que Factory Records (diseño de Peter Saville, producción de Martín Hannett) nunca editó...
27 años después de su publicación uno descubre a la post-punk princess... Gracias a los blogs, en concreto a éste: //www.londonlee.com/2007/01/pauline.html “Playing Phil Spector to her Ronnie, Martin Hannett gave Pauline Murray an ornate and expansive wall of sound with a freedom to breathe she never had with Penetration. It's a shimmering dream of record, like someone throwing a disco in a cathedral.” Verdaderamente brillante “Dream Sequence”. El single pop que Factory Records (diseño de Peter Saville, producción de Martín Hannett) nunca editó...
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